Reviews for 10-24-04


Identity Disc #5
Publisher: Marvel Comics
Writer: Rob Rodi
Pencils: John Higgins
Inks: Sandu Florea
OK, I know I’ve been bagging on this title for the past several months, and I wasn’t going to bring it up again, but I felt that this issue was such a surprise given the past four that I would take the time to say something good about it. Believe it or not, I do have something good to say. While the art isn’t what I would call the greatest, it is OK. The thing that made me want to write about the book is that I didn’t see the ending coming; at least not who the mastermind was. Granted in going over and rereading the entire series everything is there, but because I expected so little of this last issue, it caught me by surprise. I’m actually kind of glad that it did. I like it when a bad title is able to redeem itself along the way. Not the greatest mini series, but thankfully it didn’t end up the worst. Man that hurt.

-KEVIN-




ULTIMATE SPIDER-MAN #67
Publisher: Marvel
Writer: Brian Michael Bendis
Artist: Mark Bagley

Bendis is at his best in this two issue story arc that (kind of but not really) crosses over with the Ultimate X-Men franchise. In the first part of the story, featured last issue, we find that Logan has been switched with Peter Parker and that they are in each other’s bodies (with Peter making continuous reference to Wolverine’s “smelly dog body”). Naturally this leads to a number of very…interesting…moments for both of them. We see Peter’s inability to control Logan’s claws, deploying them at extremely inopportune moments. We see Logan attempt web-swinging (which was one of the best moments of the entire book). We find out that it was Logan’s lecherous nature that caused the problem in the first place, with a surprising development in Peter’s world stemming from it.

All in all, one of the best, funniest storylines I’ve read in a LONG time. I was actually laughing out loud several times. Bendis should be allowed to display his wonderful sense of humor more often. All in all, a really great read, and a nice change of pace from the heaviness of the book since the Carnage storyline began. Not that I mind that, really, it’s just nice to have a lighter tone once in a while. -TMC-




The Goon #9
Publisher: Dark Horse
Writer: Eric Powell
Pencils: Eric Powell
Inks: You guessed it Eric Powell
This is the tragic tale of the first season of the Fighting Fish-Canners football team. The dream of Harley Labeau is to start a football team for his old home town, to give them something to hope for, inspire them, and give them back a little bit of their dignity after falling under the control of organized crime. Lucky for Mr. Labeau, one of the first people he encounters is the Goon. Shortly after their encounter, the Goon, is introduced to the team’s first prospect, pretty boy quarterback, Art Moon, but two people do not a football team make. The Goon goes about recruiting the rest of the team, a bunch of heavies and enforcers, perfect for roughing up the opposing teams, and rough them up they do. The organized crime families figure that since the Goon is involved there must be some sort of “fix” going on and make their wagers accordingly. Suffice to say they do not make out so well and they blame it on the Goon and team and decide to give them a little payback for the double-cross that never took place. As always Powell shows you that the Goon’s world is his playground. He writes what he wants to and it all fits together in the strange world quite well. Every story in this series, thus far, has been a hit. Some of them have been quite strange, while others seem quite normal (if flying squids are normal to you). This book is always entertaining and the art always spectacular. I can’t say enough good things about the work that Eric Powell puts into his book. Take the time to look at some of the art and how detailed it is, it’s incredible. This book is always a pleasure, the only draw back is it’s bi-monthly schedule, but I can take it as long as the quality continues. The Atomic Rage short (with art by Eric Wight) was pretty entertaining as well.
-KEVIN-




TERRA OBSCURA VOL 2 #3 (Of 6)
Publisher: DC
Writers: Alan Moore & Peter Hogan
Pencils: Yanick Paquette
Inks: Karl Story

Anyone who knows me will back me up when I say that I RARELY vary from anything that is other than mainstream Marvel or DC. At the urging of a good friend, I was attempting to broaden my horizons, so to speak, when the first volume of Terra Obscura came along. I had my doubts as to whether I would like it or not, but they were put very much to rest by the time I finished the first limited series.

Alan Moore is truly a very, very talented man. I find myself hating the wait between the bi-monthly issues of this book as it is just SO good. The characters are very well crafted, and are definitely individuals, each with traits and personalities that are easily distinguishable from the others.

The current series deals with time paradoxes and the like, as the ship of Captain Future makes its way through space back toward Earth. It appears that this is the cause of all of the time anomalies, and Tom Strong and Princess Pantha go to investigate whether this is the case at the end of this issue. Also we have a very interesting development as far as the personal lives of a couple of characters.

A solid read with really nice artwork (although sometimes it leans a bit too close to the cartoony for my taste). -TMC-




Ocean #1
Publisher: Wildstorm (DC Comics)
Writer: Warren Ellis
Pencils: Chris Sprouse
Inks: Karl Story
The draw to this book for me initially was the art by Chris Sprouse. I’ve always enjoyed his work. The fact that it was written by Grant Morrison didn’t hurt either. The ocean on Jupiter’s moon Europa, is filled with coffins which hold a mystery that will either enlighten us about our origins on Earth or perhaps bring about our end. This is a future world, 100 in the future to be more specific. This, the first issue of the six issue series sets up the groundwork of the future and introduces us to our protagonist Nathan Kane who is on his way to Jupiter for the United Nation’s Security Council. All we can suspect is that it has something to do with the coffins, since Ellis is sparse with the details in this issue that serves as a set up for the rest of the series. What amazes me about this issue is that, while very little information is really given, it is more than enough to make you interested in what is going to happen next. The situations are portrayed in a realistic (for a comic book set in the future) fashion and nothing is forced upon the reader. A lot of times the situations and the settings are thrust at the readers rather than letting the reader flesh out the subtleties that are present in the art. That is the beauty of this, while Ellis does a great job telling you what you need to know, there is so much more information available to you in Sprouse’s art. It’s not stuff that is earth shattering by any means, but there are enough subtle things that you can pick out that give you an idea of the way the world has evolved over the past 100 years. It will be interesting to see how this story plays out.
-KEVIN-


 


IDENTITY CRISIS #5 (Of 7)
Publisher: DC
Writer: Brad Meltzer
Pencils: Rags Morales
Inks: Michael Bair

This series is a very hot topic right now in more than just the comic book forums. With only two issues to go, issue 5 continues to shock us…but is it for the shock value only? This is the other hot topic revolving around this series. No matter how you cut it, this series is being discussed a whole lot both in and outside comic book circles.

This issue features a number of notable events; I won’t go into specifics in order to avoid spoilers. Let me just say that there is one somewhat surprising development, but it’s a positive one instead of a negative one. Which is, at this point, most definitely a good thing.

In this issue we finally discover the final fate of Ronnie Raymond, as well as major developments in the life of Captain Boomerang. There are tragedies, of course, since that’s what this series seems to be all about. And also, there is the revelation that whoever is behind all of these attacks knows the secret identity of EVERY major character (and a number of not so major characters) in the DC Universe. With only two issues left to go in the series, I’m sure Meltzer will be pulling out ALL the stops as the series nears the end… -TMC-




The Nail #4
Publisher: Dark Horse Comics
Writer: Rob Zombie and Steve Niles
Pencils: Nat Jones
Inks: Nat Jones
This isn’t the type of book that I generally read, but it was recommended to me so I figured I should broaden my horizons a little. I read the first three issues in one sitting and thought it was pretty good. Then issue 4 came out and it all fell apart. It turned into a repetitive series of “Stay down and die” “Oh yeah, you don’t tell me what to do” and then some beatings. Ok maybe twice doesn’t count as repetitive, but when you do the same basic thing twice in the same issue, it seems so blatant. It’s almost like they had a story and it should have ended in about 5 more pages than issue 3 and the rest became filler and an excuse to show a bunch of gore. I could have missed this issue and had a better feeling about the title, but alas, I can’t recommend it as a whole. I really wanted to like it, but it felt like they took the clichéd way out.
-KEVIN-



TEEN TITANS #17
Publisher: DC
Writer: GEOFF JOHNS
Pencils: MIKE MCKONE
Inks: MARLO ALQUIZA

This is the first chapter of the “Titans Tomorrow” story arc that dove tails out of the latest Titans / Legion crossover. Having been thrown into a damaged time / space warp, the Titans find themselves not in the present…but 10 years in the future. We find that pretty much all of the Titans’ youthful idealism has been destroyed on the way to this Dystopian future.

Get ready to meet Tim Drake – the new Batman. Conner Kent / Kon-El – successor to the mantle of Superman. Bart Allen – the Fastest Man Alive , and the lastest to wear the lightning and the mantle of the Flash. Cassie Sandsmark – Wonder Woman. Add to these heroes Changeling (who has obviously not only mastered his powers, but has found a very creative way to use them), Dark Raven and a new Aquagirl (who is otherwise unidentified at this point with not exposition having taken place) and we have a whole different, yet still hauntingly the same, Titans team.

The final scene in the book is both frightening and chilling; this, added to another scene earlier in the book showcasing Batman (Tim), shows just how much the world has changed in just ten years. I am definitely hooked in for this story arc, and Geoff Johns has really outdone himself here. He remains one of my favorite writers currently, and for good reason. -TMC-




Stoker’s Dracula #1
Publisher: Marvel Comics
Writer: Bram Stoker (Adapted by Roy Thomas)
Pencils: Dick Giordano
Inks: Dick Giordano
Back in the 70s I was too young to fully appreciate some of the stuff Marvel was putting out in those days. Although, I do have memories of being at my great grandmother’s house in upper Michigan sitting on her porch and reading an issue of Werewolf by Night. That book was fantastic, after a staple diet of Archie and the Riverdale gang, this monster book was really something. I never really read any of the other “monster” books at that time, it was one of those passing moments, the next time we went to visit the book was gone, but the impression was still with me, and that is why I picked up this book; a bit of nostalgia and respect for the two guys who put it together. It was all I had hoped for. Roy Thomas’ adaptation of the classic story, while missing elements from Stoker’s original (expected for a comic book adaptation), it was still a very good read. The story unfolding, of a solicitor visiting a client off in a strange land, not aware of the danger he was walking into, to this day, is still eerie. Giordano’s art is good as always and helps to convey the sinister mood of the fate awaiting Jonathan Harker. The best part of the whole thing is that after all this time; this team finally gets to finish their adaptation of the classic story. This is a four issue mini-series that was almost 30 years in the making. For people unfamiliar with the horror comics of the 70s, this is a good way to be introduced to the flavor of what a little relaxation on the part of the Comics Code Authority allowed creators to, once again, begin producing. Good old fashioned horror comics.
-KEVIN-



The Comic Book Digest #1
Publisher: Lamp Post Productions
Writer: Various
Pencils: Various
Inks: Various
This isn’t a review. It is more of my congratulating a good idea. With the rising cost of comics, it’s hard to justify spending money on a title that is unknown. Money spent on a title you end up not liking could have been spent on something you know you would have instead. That is where this title comes in. Granted in the Previews catalog, you can get an idea of what a book is about, but you’re still guessing. The Comic Book Digest, with $1.95 price tag, gives you the chance to sample several titles at one time. Granted it’s all in black and white, but that helps keep the cost down. This particular issue has samples from at least 7 titles and some editorial content to boot. This is an idea that should have happened a while ago. It gives the reader a cheap way to check out new titles while also giving smaller publishers a way to reach a broader audience. This by far is the best thing I have picked up this month. I like trying to get people to read things that they normally wouldn’t and this is just the type of tool that could actually help. Thank you Lamp Post Productions, you are doing the industry a service.
-KEVIN-

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