|
Identity Disc #5
Publisher: Marvel
Comics
Writer: Rob
Rodi
Pencils: John
Higgins
Inks: Sandu
Florea
OK, I know I’ve been bagging on this title for the past several
months, and I wasn’t going to bring it up again, but I felt
that this issue was such a surprise given the past four that I would
take the time to say something good about it. Believe it or not, I
do have something good to say. While the art isn’t what I would
call the greatest, it is OK. The thing that made me want to write
about the book is that I didn’t see the ending coming; at least
not who the mastermind was. Granted in going over and rereading the
entire series everything is there, but because I expected so little
of this last issue, it caught me by surprise. I’m actually kind
of glad that it did. I like it when a bad title is able to redeem
itself along the way. Not the greatest mini series, but thankfully
it didn’t end up the worst. Man that hurt. -KEVIN-
|

ULTIMATE SPIDER-MAN #67
Publisher: Marvel
Writer: Brian
Michael Bendis
Artist: Mark
Bagley Bendis is at his best in this two
issue story arc that (kind of but not really) crosses over with
the Ultimate X-Men franchise. In the first part of the story, featured
last issue, we find that Logan has been switched with Peter Parker
and that they are in each other’s bodies (with Peter making
continuous reference to Wolverine’s “smelly dog body”).
Naturally this leads to a number of very…interesting…moments
for both of them. We see Peter’s inability to control Logan’s
claws, deploying them at extremely inopportune moments. We see Logan
attempt web-swinging (which was one of the best moments of the entire
book). We find out that it was Logan’s lecherous nature that
caused the problem in the first place, with a surprising development
in Peter’s world stemming from it.
All in all, one of the best, funniest storylines
I’ve read in a LONG time. I was actually laughing out loud
several times. Bendis should be allowed to display his wonderful
sense of humor more often. All in all, a really great read, and
a nice change of pace from the heaviness of the book since the Carnage
storyline began. Not that I mind that, really, it’s just nice
to have a lighter tone once in a while. -TMC-
|

The Goon #9 Publisher:
Dark Horse
Writer: Eric
Powell
Pencils: Eric
Powell
Inks: You
guessed it Eric Powell
This is the tragic tale of the first season of the Fighting Fish-Canners
football team. The dream of Harley Labeau is to start a football team
for his old home town, to give them something to hope for, inspire
them, and give them back a little bit of their dignity after falling
under the control of organized crime. Lucky for Mr. Labeau, one of
the first people he encounters is the Goon. Shortly after their encounter,
the Goon, is introduced to the team’s first prospect, pretty
boy quarterback, Art Moon, but two people do not a football team make.
The Goon goes about recruiting the rest of the team, a bunch of heavies
and enforcers, perfect for roughing up the opposing teams, and rough
them up they do. The organized crime families figure that since the
Goon is involved there must be some sort of “fix” going
on and make their wagers accordingly. Suffice to say they do not make
out so well and they blame it on the Goon and team and decide to give
them a little payback for the double-cross that never took place.
As always Powell shows you that the Goon’s world is his playground.
He writes what he wants to and it all fits together in the strange
world quite well. Every story in this series, thus far, has been a
hit. Some of them have been quite strange, while others seem quite
normal (if flying squids are normal to you). This book is always entertaining
and the art always spectacular. I can’t say enough good things
about the work that Eric Powell puts into his book. Take the time
to look at some of the art and how detailed it is, it’s incredible.
This book is always a pleasure, the only draw back is it’s bi-monthly
schedule, but I can take it as long as the quality continues. The
Atomic Rage short (with art by Eric Wight) was pretty entertaining
as well. -KEVIN-
|

TERRA OBSCURA VOL 2 #3 (Of 6)
Publisher: DC
Writers: Alan Moore & Peter Hogan
Pencils: Yanick Paquette
Inks: Karl Story Anyone who knows me will
back me up when I say that I RARELY vary from anything that is other
than mainstream Marvel or DC. At the urging of a good friend, I
was attempting to broaden my horizons, so to speak, when the first
volume of Terra Obscura came along. I had my doubts as to whether
I would like it or not, but they were put very much to rest by the
time I finished the first limited series.
Alan Moore is truly a very, very talented man.
I find myself hating the wait between the bi-monthly issues of this
book as it is just SO good. The characters are very well crafted,
and are definitely individuals, each with traits and personalities
that are easily distinguishable from the others.
The current series deals with time paradoxes and
the like, as the ship of Captain Future makes its way through space
back toward Earth. It appears that this is the cause of all of the
time anomalies, and Tom Strong and Princess Pantha go to investigate
whether this is the case at the end of this issue. Also we have
a very interesting development as far as the personal lives of a
couple of characters.
A solid read with really nice artwork (although
sometimes it leans a bit too close to the cartoony for my taste).
-TMC-
|

Ocean #1 Publisher:
Wildstorm (DC Comics)
Writer: Warren
Ellis
Pencils: Chris
Sprouse
Inks: Karl
Story
The draw to this book for me initially was the art by Chris Sprouse.
I’ve always enjoyed his work. The fact that it was written by
Grant Morrison didn’t hurt either. The ocean on Jupiter’s
moon Europa, is filled with coffins which hold a mystery that will
either enlighten us about our origins on Earth or perhaps bring about
our end. This is a future world, 100 in the future to be more specific.
This, the first issue of the six issue series sets up the groundwork
of the future and introduces us to our protagonist Nathan Kane who
is on his way to Jupiter for the United Nation’s Security Council.
All we can suspect is that it has something to do with the coffins,
since Ellis is sparse with the details in this issue that serves as
a set up for the rest of the series. What amazes me about this issue
is that, while very little information is really given, it is more
than enough to make you interested in what is going to happen next.
The situations are portrayed in a realistic (for a comic book set
in the future) fashion and nothing is forced upon the reader. A lot
of times the situations and the settings are thrust at the readers
rather than letting the reader flesh out the subtleties that are present
in the art. That is the beauty of this, while Ellis does a great job
telling you what you need to know, there is so much more information
available to you in Sprouse’s art. It’s not stuff that
is earth shattering by any means, but there are enough subtle things
that you can pick out that give you an idea of the way the world has
evolved over the past 100 years. It will be interesting to see how
this story plays out. -KEVIN-
|

IDENTITY CRISIS #5 (Of 7)
Publisher: DC
Writer: Brad
Meltzer
Pencils: Rags
Morales
Inks: Michael
Bair This series is a very hot topic right
now in more than just the comic book forums. With only two issues
to go, issue 5 continues to shock us…but is it for the shock
value only? This is the other hot topic revolving around this series.
No matter how you cut it, this series is being discussed a whole
lot both in and outside comic book circles.
This issue features a number of notable events;
I won’t go into specifics in order to avoid spoilers. Let
me just say that there is one somewhat surprising development, but
it’s a positive one instead of a negative one. Which is, at
this point, most definitely a good thing.
In this issue we finally discover the final
fate of Ronnie Raymond, as well as major developments in the life
of Captain Boomerang. There are tragedies, of course, since that’s
what this series seems to be all about. And also, there is the revelation
that whoever is behind all of these attacks knows the secret identity
of EVERY major character (and a number of not so major characters)
in the DC Universe. With only two issues left to go in the series,
I’m sure Meltzer will be pulling out ALL the stops as the
series nears the end… -TMC-
|

The Nail #4 Publisher:
Dark Horse Comics
Writer: Rob
Zombie and Steve Niles
Pencils: Nat
Jones
Inks: Nat
Jones
This isn’t the type of book that I generally read, but it was
recommended to me so I figured I should broaden my horizons a little.
I read the first three issues in one sitting and thought it was pretty
good. Then issue 4 came out and it all fell apart. It turned into
a repetitive series of “Stay down and die” “Oh yeah,
you don’t tell me what to do” and then some beatings.
Ok maybe twice doesn’t count as repetitive, but when you do
the same basic thing twice in the same issue, it seems so blatant.
It’s almost like they had a story and it should have ended in
about 5 more pages than issue 3 and the rest became filler and an
excuse to show a bunch of gore. I could have missed this issue and
had a better feeling about the title, but alas, I can’t recommend
it as a whole. I really wanted to like it, but it felt like they took
the clichéd way out. -KEVIN-
|
TEEN TITANS #17
Publisher: DC
Writer: GEOFF
JOHNS
Pencils: MIKE
MCKONE
Inks: MARLO
ALQUIZA This is the first chapter of the
“Titans Tomorrow” story arc that dove tails out of the
latest Titans / Legion crossover. Having been thrown into a damaged
time / space warp, the Titans find themselves not in the present…but
10 years in the future. We find that pretty much all of the Titans’
youthful idealism has been destroyed on the way to this Dystopian
future.
Get ready to meet Tim Drake – the new Batman.
Conner Kent / Kon-El – successor to the mantle of Superman.
Bart Allen – the Fastest Man Alive , and the lastest to wear
the lightning and the mantle of the Flash. Cassie Sandsmark –
Wonder Woman. Add to these heroes Changeling (who has obviously
not only mastered his powers, but has found a very creative way
to use them), Dark Raven and a new Aquagirl (who is otherwise unidentified
at this point with not exposition having taken place) and we have
a whole different, yet still hauntingly the same, Titans team.
The final scene in the book is both frightening
and chilling; this, added to another scene earlier in the book showcasing
Batman (Tim), shows just how much the world has changed in just
ten years. I am definitely hooked in for this story arc, and Geoff
Johns has really outdone himself here. He remains one of my favorite
writers currently, and for good reason. -TMC-
|

Stoker’s Dracula #1
Publisher: Marvel
Comics
Writer: Bram
Stoker (Adapted by Roy Thomas)
Pencils: Dick
Giordano
Inks: Dick
Giordano
Back in the 70s I was too young to fully appreciate some of the stuff
Marvel was putting out in those days. Although, I do have memories
of being at my great grandmother’s house in upper Michigan sitting
on her porch and reading an issue of Werewolf by Night. That book
was fantastic, after a staple diet of Archie and the Riverdale gang,
this monster book was really something. I never really read any of
the other “monster” books at that time, it was one of
those passing moments, the next time we went to visit the book was
gone, but the impression was still with me, and that is why I picked
up this book; a bit of nostalgia and respect for the two guys who
put it together. It was all I had hoped for. Roy Thomas’ adaptation
of the classic story, while missing elements from Stoker’s original
(expected for a comic book adaptation), it was still a very good read.
The story unfolding, of a solicitor visiting a client off in a strange
land, not aware of the danger he was walking into, to this day, is
still eerie. Giordano’s art is good as always and helps to convey
the sinister mood of the fate awaiting Jonathan Harker. The best part
of the whole thing is that after all this time; this team finally
gets to finish their adaptation of the classic story. This is a four
issue mini-series that was almost 30 years in the making. For people
unfamiliar with the horror comics of the 70s, this is a good way to
be introduced to the flavor of what a little relaxation on the part
of the Comics Code Authority allowed creators to, once again, begin
producing. Good old fashioned horror comics. -KEVIN-
|

The Comic Book Digest #1
Publisher: Lamp Post
Productions
Writer: Various
Pencils: Various
Inks: Various
This isn’t a review. It is more of my congratulating a good
idea. With the rising cost of comics, it’s hard to justify spending
money on a title that is unknown. Money spent on a title you end up
not liking could have been spent on something you know you would have
instead. That is where this title comes in. Granted in the Previews
catalog, you can get an idea of what a book is about, but you’re
still guessing. The Comic Book Digest, with $1.95 price tag, gives
you the chance to sample several titles at one time. Granted it’s
all in black and white, but that helps keep the cost down. This particular
issue has samples from at least 7 titles and some editorial content
to boot. This is an idea that should have happened a while ago. It
gives the reader a cheap way to check out new titles while also giving
smaller publishers a way to reach a broader audience. This by far
is the best thing I have picked up this month. I like trying to get
people to read things that they normally wouldn’t and this is
just the type of tool that could actually help. Thank you Lamp Post
Productions, you are doing the industry a service.
-KEVIN-
|
|
Al n'
Ann's Collectibles
Store Hours:
Mon-Thurs
11:00am - 7:00pm
Friday
11:00am - 7:00pm
Saturday
10:00am - 5:00pm
Sunday
Closed
Location
3819 W. Main St. McHenry,IL 60050
Phone
(815)344-9696
  |