Reviews for 11-16-04




Detective Comics #800
Publisher: DC Comics
Writer: Anderson Gabrych and David Lapham
Pencils: Pete Woods and David Lampham
Inks: Cam Smith and David Lapham
The war games are over and it seems that the Batman “family” has suffered heavy casualties. After the fallout of the gang war, most of Batman’s supporting cast have left Gotham, having to either take a break from everything or they have had enough of Batman’s emotionless drill sergeant like tactics when dealing with them. For the past several years it seems that Batman has been recruiting more “soldiers” in his war and becoming emptier inside. The people quit mattering and everything became the mission. Batman quit being the focus of his own books. There were “soldiers all over in each of the titles and he began to move away from the things that made him great in the first place. He was no longer the “world’s greatest detective”, leaving most of the digging up to Oracle, but now that he has no one to rely on to help him, he has to go back to relying on his own means and actually has to figure things out for himself- finally. And in the final few pages of the first story he makes a confession, well maybe not so much of a confession but finally admits something to himself and it shows that he finally realizes the costs of what he has been doing lately. The second feature of this issue is by David Lapham, who will be coming on as the regular writer of the series. David has been responsible for creating the running “Stray Bullets” series published by El Capitan. This is a crime noir series that has a dark and menacing tone, and over all has been quite good. It will be interesting to see how Lapham will bring this moodiness to the title, and truly turn it back into “Detective Comics”. 800 issues and moving forward once again.
-KEVIN-




Astonishing X-Men #6
Publisher: Marvel Comics
Writer: Joss Whedon
Pencils: John Cassaday
Inks: John Cassaday
I used to love the X-Men. I couldn’t wait for them to show up on the racks month after month. That was until things got a bit crazy, around issue 200 of “The Uncanny X-Men”, I started having a hard time figuring out what was going on. I continued to buy it for a while but eventually dropped it, having no idea what was happening. I tried to go back and re-enter the world from time to time, but it was more convoluted than I had remembered. There was so much going on that was dependant on you knowing that this thing happened in this issue and if you didn’t know that you were completely lost about that and by the time you finished reading the stuff, your eyes were crossed from trying to figure it all out. Earlier, Marvel decided to re-tool the X-Line, granted that didn’t stop them from putting out several more X-books a month than necessary, but they are in the business to make money and if it sells it sells, good or bad. In my opinion they were making a lot of missteps with the franchise, but I just read them, I don’t publish them.
When I heard that part of the re-tooling was going to involve bringing Joss Whedon onboard for one of the titles, I was anxious to see what he could do. I enjoyed his series “Fray” over at Dark Horse, and figured I could give the world a shot again. This title is an example of what can go right with a book. Now we have an X-book that is firmly rooted in the X-universe, but does not seem weighed down by all of the continuity. That’s not to say that it gets ignored, more so it gets respected and does not allow the forward progression of the characters to be hindered. It is also a book that someone new to the universe could pick up and be able to follow with a minimal amount of “catching up”. In my opinion, it’s actually one of the most reader friendly books to pick up, but that is not to say that long time readers are left by the wayside. There is something for everyone in here. Whedon’s story and pacing, while it may seem slow to some, work wonderfully, things aren’t forced to happen; they all seem to happen naturally. John Cassaday’s art it magnificent to look at. It is down right cinematic. This is such a perfect matching of talents, that, although unrealistic, I hope never ends. For all the missteps that Marvel has taken, this is a giant leap forward. Now for the actual review, this is the final issue in the first story arc that saw the creation of a cure for the mutant gene, the introduction of an alien menace, and the return of a fallen comrade, all handled quite well. It also opens up the door for further progression of the characters and the situations they find themselves facing. Winks and nods to the past and hope for the future, at least of this title. If you haven’t picked up the first six issues, do yourself a favor and at least pick up the trade.
-KEVIN-



Strange #2
Publisher: Marvel Comics
Writer: Samm Barnes
Pencils: Brandon Peterson
Inks: Brandon Peterson
Dr. Stephen Strange was one of the most gifted plastic surgeon to come along. He was a regular prodigy and his future looked nothing but bright and he knew it. He had everything and was at the top of the world, and when you’re sitting on the top, there is only one direction for you to go. Stephen finds this out the hard way. After an accident while on a skiing trip, Stephen’s life is completely altered. He has lost some of the fine motor skills of his hands and will never be able to recover them, at least according to his doctors. Stephen refuses to believe this and when he is healed enough, spends his personal fortune traveling the world in search for a doctor that will be able to cure him. He travels the world and eventually finds himself back in Nepal, where he worked when he was up and coming. In Nepal, he went to visit the place he once worked, and found it gone, and a lone person around, that person held a key to Stephen’s future and it turns out that it was located a few blocks away from his home in New York, Dr. Stephen Wong, who he had helped while he was in Nepal; another one of life’s strange coincidences. While I had limited knowledge of the background of Dr. Strange, this series intrigued me because I trusted the writers and enjoyed the artist and it, so far has been a nicely paced and beautifully rendered book. It’ll be interesting to see what happens when the “mystical arts” come into play.
-KEVIN-




Fallen Angel #17
Writer: Peter David
Pencils: David Lopez
Inks: Fernando Blanco
I was happy to hear that this book has dodged cancellation for the time being and outside of taking about it over and over again, I don’t know what to do to get more people to give it a chance. This is one of those books that I can’t quite put my finger on it but enjoy time and time again, which I am sure you all can tell by now. The problem is, not enough people are enjoying this book so I am prepared to do the following thing. I am asking Al to order 2 copies of the first trade paperback, I would guess it should take a week or two to come into the store. Why would I be ordering 2 of them? Well let me tell you, I am prepared to give both of them away to the first two people that e-mail me at kevin@alnanns.com. OK there are a few hitches in this though, in order to get the book you will need to come into the store to pick it up, you won’t have to buy anything else, just come in, if I am not there, I will give Al your name and some sort of identifying information that we will come up with, secret code sort of stuff, and you can pick it up UPDATE- 01-01-04 I've given away the last one. Due to the darker themes in the book you need to be over 13 years old as well (I'll come up with something for those 13 and under in the coming weeks) The only thing I ask is that if you enjoyed it maybe you could share it with someone else. Now here is another hitch, not a big one but all of the folks that help in the store or the web site, you guys don’t qualify, sorry, but thems the breaks. So to summarize, once they come in, there will be two copies of the Fallen Angel trade paperback, one each to the first two people that email me at the previously mentioned e-mail address. In order to get the book, you’ll have to come into the store to get it. That’s it, it’s not tough. Two books two e-mails. I’ll work out the details with the winners via e-mail.
-KEVIN-



Avengers: Earth's Mightiest Heroes #1
WRITER: JOE CASEY
ART: SCOTT KOLINS

They were the Marvel Universe’s Mightiest Heroes. And one of the first books created by the team of Stan “The Man” Lee and Jack “King” Kirby. They were the Mighty Avengers, and this 8 issue limited series re-tells the story (with a lot of embellishment, of course) of the team’s earliest days. The timeline for this series takes us from the signing of the Avengers Charter to the point of the first major roster change in Avengers (volume 1) #16. With the exit of all of the original members in that issue, Captain America took charge of the team, leading the oddly named “Cap’s Kooky Quartet” of himself, Hawkeye, Quicksilver and the Scarlet Witch (the latter three of whom debuted in the Marvel U as villains).
I debated over whether or not I wanted to pick this series up, mostly because Joe Casey leaves me lukewarm as a writer and I think Scott Kolins isn’t suited for this particular style of book (I loved his work on Flash, but didn’t care for it at all on Avengers, and am still not crazy about it). This first issue has definitely impressed me, though. The characterization is well done, portraying that sense of angst and anger that Lee and Kirby were going for in those early days, in order to combat the lightness and camaraderie of DC Comics’ Justice League of America (if you would like more information in this, please feel free to post questions in the forums). There’s also a lot of “retroactive foreshadowing,” for lack of a better way to put it. What I mean by this is that they hint at events that have taken place in the book since the original stories were printed, but have not yet taken place for the characters themselves. One example of this is Giant Man’s outburst at the Wasp toward the end of this issue; years later, in “Marvel Time”, he would have a breakdown during which he attacked the Wasp in a domestic incident (which, oddly enough, was paralleled in an early issue of The Ultimates).
The end of the issue marks a major event in the Avengers timeline, but you’ll have to read it to find out exactly what that is. There’s also a VERY interesting cameo by someone who will become very important to the Avengers mythos and a cornerstone of the team for years after. Definitely worth the time taken to read this book and I have to say that I enjoyed it. I look forward to the rest of this story, and am interested to see how Casey plays it out.
-TMC-

 




Exiles #54
WRITER: TONY BEDARD
ART: MIZUKI SAKAKIBARA

This issue of Exiles is definitely not the norm. In fact, the team isn’t even featured in over half of the issue. I’m not going to go into great detail here, other than to say that this is a light hearted issue and a fun read. Having said that, the last page of the book sets up the next multi-part arc, and it looks like it’s going to be a doozy… -TMC-





Ultimate Fantastic Four #6
PLOT: WARREN ELLIS / STUART IMMOMEN
SCRIPT: WARREN ELLIS
PENCILS: STUART IMMOMEN
INKS: WADE VON GRAUBADGER

This is the conclusion to the “Doom” story arc, and the second arc of this series.I like the way the Ultimate books tend to flow; they’re a quick read, but still give you a lot of story. The pacing is always fast, as it is here, but it still gives you time to absorb what you’ve read. The art is a little…well…I guess I’d say “quirky,” but I kind of like it. I don’t remember Immomen’s style being like this, but then again he hasn’t been on Superman for a very long time. -TMC-



Superman / Batman #13
WRITER: JEPH LOEB
PENCILS: MICHAEL TURNER
INKS: PETER STEIGERWALD

This is the final chapter in the story arc “The Supergirl from Krypton.” If you haven’t read it, and don’t want to be spoiled, then please skip to the next review. For those who have read it, or don’t mind being spoiled, read on. But just in case:
*** SPOILER WARNING! DANGER! SPOILER WARNING!! ***
Well, having read the last page of this issue, my first question becomes, “What about the noble death that Kara suffered in Crisis on Infinite Earths #7, because now that has been made meaningless. Why is that, you may ask? Because Kara Zor-El, Superman’s cousin from Krypton, has been brought back, further proving that the reboot should probably never have been done. After all, now we have Kara back again…we have Krypto…we have Kandor…Comet the Super Horse, albeit in a different form, appeared in the PAD Supergirl book…can Beppo the Super Monkey and Streaky the Super Cat be far behind…?
That being said, I have to admit that this was an EXCELLENT story arc. If you missed the first issues of it, I’m sure a trade will be put out in due order; but if you’re a fan of Superman and Batman, as well as a fan of Kara Zor-El version of Supergirl, you’ll be ecstatic.
Michael Turner’s art is, to sum it up, absolutely STUNNING. His Superman looks every bit the boy scout (especially when he’s in his Clark identity); his Batman is spooky, intimidating and threatening all at the same time; Wonder Woman is beautiful, and appropriately regal looking; and I’ve rarely seen Darkseid look so imposing, not to mention threatening…or so HUGE. Taken in whole, this guy’s work is just absolutely breathtaking. I wish he was staying longer…but such is the world of comics. Loeb spun a gripping tale, equal parts super-heroics and human interest; he even managed to make Batman appear…well…sensitive at points. And that’s quite a trick…
I would highly recommend this book. Not just for this story arc, but in general as well. It’s consistently well written and is on my list of can’t-wait-to-reads every month.

-TMC-



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